count basie instrument

Both of Basie's parents were musicians; his father, Harvie Basie, played the mellophone, and his mother, Lillian (Childs) Basie, was a pianist who gave her son his earliest lessons. Basie hitched his star to some of the most famous vocalists of the 1950s and 1960s, which helped keep the Big Band sound alive and added greatly to his recording catalog. He played the vaudeville, before he formed his big band and contributed to the creation of a swing. "Big Name Bands, Singers in 'Cavalcade of Music' Sept. 23", “Basie, Jordan, Prado Top Jazz Cavalcade” Article, "Sugar Chile" Robinson, Billie Holiday, Count Basie and His Sextet, National Society for the Prevention of Cruelty to Children, Count Basie Presents Eddie Davis Trio + Joe Newman, Count Basie Jam Session at the Montreux Jazz Festival 1975, Count Basie Meets Oscar Peterson – The Timekeepers, Sugar Chile Robinson, Billie Holiday, Count Basie and His Sextet, "On This Day: Count Basie, 79, Band Leader And Master of Swing, Dead", "Jackie Wilson & Count Basie – Manufacturers Of Soul at Discogs", "Manufacturers of Soul by Jackie Wilson : Reviews and Ratings", "Horacio "El Negro" Hernandez To Be Awarded Honorary Doctor of Music Degree From Berklee College of Music", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", "Count Basie, Jack Nicholson, Les Paul make New Jersey Hall of Fame", "2005 National Recording Registry choices", The Count Basie Orchestra official website, International Jose Guillermo Carrillo Foundation. William James "Count" Basie (/ˈbeɪsi/; August 21, 1904 – April 26, 1984)[1] was an American jazz pianist, organist, bandleader, and composer. [22] He also reached the charts with an album of show tunes, Broadway Basie's ... Way (1966). False 8. Another key recording of this period was an instrumental reading of "April in Paris" that made the pop Top 40 and the R&B Top Ten in early 1956; it also was enshrined in the Grammy Hall of Fame. Mechanic Street, where he grew up with his family, has the honorary title of Count Basie Way. The Count Meets the Duke, each providing four numbers from their play books. They were divorced sometime before 1935. [17], In 1928, Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. Jazz Musician of the Day: Count Basie. Find Count Basie bio, music, credits, awards, & streaming links on AllMusic - A towering figure in big-band jazz, with a lean… Basie is a part of the Big Band Leaders issue, which, is in turn, part of the Legends of American Music series. Basie liked the results and named the piece "One O'Clock Jump. (Holiday did not record with Basie, as she had her own record contract and preferred working with small combos). [73], On April 11, 1983, Catherine Basie died of heart disease at the couple's home in Freeport, Grand Bahama Island. The retooled Basie band of the 1950s was a precision instrument nicknamed "The Basie Machine" by its admirers--a phrase that caught on with the band's detractors as well. It was followed by This Time by Basie! C Instruments, BC Instruments, Bb Instruments, Eb Instruments sheet music book by Count Basie : Hal Leonard at Sheet Music Plus. During a broadcast the announcer wanted to give Basie's name some style, so he called him "Count." Discography of American Historical Recordings, The Greatest!! With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later, and the band continued to perform after he died. He quickly learned to improvise music appropriate to the acts and the silent movies. Instrument List; Genre List; Development; ... Count Basie and His Orchestra: 2:50: 20: If I Could Be With You One Hour Tonight Count Basie and His Orchestra: 2:57: 21: Taxi War Dance. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later, and the band continued to perform after he died. It was released by Roulette Records, then later reissued by Capitol Records. 1981 interview cited in "The Lester Young Story" (Properbox 16), pp. Fats Waller. [14] Before he was 20 years old, he toured extensively on the Keith and TOBA vaudeville circuits as a solo pianist, accompanist, and music director for blues singers, dancers, and comedians. Jazz Musician of the Day: Count Basie. [54] They also continued to record for OKeh Records and Columbia Records. He said that Norman Granz got them into the Birdland club and promoted the new band through recordings on the Mercury, Clef, and Verve labels. Count Basie and Kay Starr. He spent the early '40s touring extensively, but after the U.S. entry into World War II in December 1941 and the onset of the recording ban in August 1942, his travel was restricted. Once the musicians found what they liked, they usually were able to repeat it using their "head arrangements" and collective memory.[44]. He also hired arrangers who knew how to maximize the band's abilities, such as Eddie Durham and Jimmy Mundy. In 2009, Edgecombe Avenue and 160th Street in, "Blues in Hoss' Flat," composed by Basie band member, Since 1963 "The Kid From the Red Bank" has been the theme and, This page was last edited on 15 January 2021, at 12:53. Basie returned to New York for an extended engagement at the small club the Famous Door in 1938 that really established the band as a success. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band. [35] Lester Young, known as "Prez" by the band, came up with nicknames for all the other band members. There were further nominations for best jazz performance for Basie at Birdland in 1961 and The Legend in 1962. They paced themselves to save their hottest numbers for later in the show, to give the audience a chance to warm up. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. “One O’Clock Jump” was composed by Count Basie in 1937, in collaboration with saxophonist Buster Smith and arranger Eddie Durham. The band gained a residency at the Reno Club in Kansas City and began broadcasting on the radio, an announcer dubbing the pianist "Count" Basie. In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. Hits of the 50's and 60's. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Sheet music is available for Piano, Guitar, C Instrument with 5 scorings and 2 notations in 5 genres. Count Basie was an American jazz pianist, organist, bandleader, and composer. Full name, William James Basie; born August 21, 1904, in Red Bank, N.J. ; died of pancreatic cancer, April 26, 1984, in Hollywood, Fla.; ashes interred at Pine Lawn Cemetery, Farmingdale, N.Y.; son of Harvey (a gardener) and Lillian (a domestic; maiden name, Childs) Basie; married Catherine Morgan (manager of Count Basie Enterprises), July 1942; children and adopted children (some informally): Diane, Aaron, Woodward III, Lamont Gilmore, Rosemarie Matthews, Clifford. [1] As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the lean times by arranging gigs at "house-rent parties," introducing him to other leading musicians, and teaching him some piano technique. Image of Wayne King, Count Basie, Duke Ellington and Bill Elliot at Big Band Festival at Disneyland, Anaheim, 1964. Basie's new band was more of an ensemble group, with fewer solo turns, and relying less on "head" and more on written arrangements. She even toured with the Basie Orchestra in the mid-1970s, and Fitzgerald and Basie also met on the 1979 albums A Classy Pair, Digital III at Montreux, and A Perfect Match, the last two also recorded live at Montreux. He joined the Bennie Moten orchestra in Kansas City, later organizing his own orchestra and performing on radio. a. [24] A towering figure in big-band jazz, with a lean piano style and a gift for setting tempos and making a rhythm section swing. Basie had been a member of a band led by pianist Benny Moten for several years. With the New Testament Basie band in full swing, and arrangements written by a youthful Quincy Jones, this album proved a swinging respite from her Songbook recordings and constant touring she did during this period. What instrument did Count Basie play? His lengthy career resulted in a large discography spread across all of the major labels and quite a few minor ones as well. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong. Audiences of young people who had once flocked to hear and dance to his band, were now staying at home at night, to raise their children and watch television. [68] He was a guest on ABC's The Pat Boone Chevy Showroom, a venue also opened to several other black entertainers. There were often no musical notations made. The first theme… Joe Williams toured with the band and was featured on the 1957 album One O'Clock Jump, and 1956's Count Basie Swings, Joe Williams Sings, with "Every Day (I Have the Blues)" becoming a huge hit. Jazz was especially appreciated in France, The Netherlands, and Germany in the 1950s; these countries were the stomping grounds for many expatriate American jazz stars who were either resurrecting their careers or sitting out the years of racial divide in the United States. In 1950, he headlined the Universal-International short film "Sugar Chile" Robinson, Billie Holiday, Count Basie and His Sextet. Count Basie and his Friends, myspace.com. We set the thing up front in D-flat, and then we just went on playing in F." It became his signature tune. [70], During the balance of the 1960s, the band kept busy with tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. By the mid-1950s, Basie's band had become one of the preeminent backing big bands for some of the most prominent jazz vocalists of the time. His first professional work came accompanying vaudeville performers, and he was part of a troupe that broke up in Kansas City in 1927, leaving him stranded there. Jimmy Rushing became the singer. Count Basie: New Testament Band. William "Count" Basie (August 21, 1904– April 26, 1984) was a jazz pianist, organist, composer, and bandleader. For a while, he performed in combos, sometimes stretched to an orchestra. On Saturday, March 21st, the Count Basie Center Academy of the Arts has the perfect gift for parents worn down after a week of teaching: A break. [45] In early 1938, the Savoy was the meeting ground for a "battle of the bands" with Chick Webb's group. Hits of the 50's and 60's, which reached the Top 20 and won the 1963 Grammy Award for Best Performance by an Orchestra for Dancing. [29] Right from the start, Basie's band was noted for its rhythm section. Count Basie, American jazz musician noted for his spare, economical piano style and for his leadership of influential and widely heralded big bands. As a pianist, he had a distinctive and influential style (the song title "Splanky" is an onomatopoetic reference to the sound of his playing), equally … After automobiles replaced horses, his father became a groundskeeper and handyman for several wealthy families in the area. Count Basie / Sarah Vaughan - Count Basie/Sarah Vaughan music CD album at CD Universe, Live Recording, enjoy top rated service and worldwide shipping. Basie spent the first half of 1939 in Chicago, meanwhile switching from Decca to Columbia Records, then went to the West Coast in the fall. Basie occasionally lost some key soloists. None of these albums attracted much commercial attention, however, and in 1962, Basie switched to Frank Sinatra's Reprise Records in a bid to sell more records. Count Basie and His Orchestra: 2:47: 22: Don't Worry About Me. [86], By 2011, four recordings of Count Basie had been inducted into the Grammy Hall of Fame, a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have "qualitative or historical significance.". 6. Discouraged by the obvious talents of Sonny Greer, who also lived in Red Bank and became Duke Ellington's drummer in 1919, Basie switched to piano exclusively at age 15. "When his own band folded, he rejoined Moten with a newly re-organized band. (HL.843010). [21] In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music. William James (August 21, 1904 - April 26, 1984), known as Count Basie, was a jazz pianist, but also an organist and composer. When Basie took his orchestra to New York in 1937, they made the Woodside Hotel in Harlem their base (they often rehearsed in its basement). [53] Other minor movie spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Door Canteen, and Hit Parade of 1943. False 7. He started his professional career as an accompanist in a vaudeville, and pianists from Harlem had great influence on him. The Barons of Rhythm were regulars at the Reno Club and often performed for a live radio broadcast. Basie also learned from Harlem stride pianists, particularly Fats Waller. He played along with The Flairs, Christine Kittrell, Lamp Lighters, Louis Jordan and His Tympany Five, Ruth Brown, and Perez Prado and his Orchestra.[59]. However, throughout the 1940s, he maintained a big band that possessed an infectious rhythmic beat, an enthusiastic team spirit, and a long list of inspired and talented jazz soloists. [4] Both of his parents had some type of musical background. The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd "Candy" Johnson (tenor sax); Marshal Royal and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax). The Basie-ites: 1956 and '59. [26] A year later, Basie joined Bennie Moten's band, and played with them until Moten's death in 1935 from a failed tonsillectomy. a. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. He led the group for almost 50 years The couple kept her and cared deeply for her, and especially through her mother's tutelage Diane learned not only to walk but to swim. A few months later, Basie quit MCA and signed with the William Morris Agency, who got them better fees.[51]. What was Count Basie's theme song? On February 19, 1940, Count Basie and his Orchestra opened a four-week engagement at Southland in Boston, and they broadcast over the radio on 20 February. Basie's 14-man band began playing at the Famous Door, a mid-town nightspot with a CBS network feed and air conditioning, which Hammond was said to have bought the club in return for their booking Basie steadily throughout the summer of 1938. The tune became the band's theme song and it was later inducted into the Grammy Hall of Fame. Other notable recordings were with Sammy Davis Jr., Bing Crosby, and Sarah Vaughan. Their only child, Diane, was born February 6, 1944. [32] He invited them to record, in performances which were Lester Young's earliest recordings. Find an answer to your question count basie is known for playing which instrument tgghk tgghk 11/01/2016 History High School Count basie is known for playing which instrument 2 See answers shelbyherrick shelbyherrick Known for playing mostly the piano likableadvisers likableadvisers Answer: Basie had Holiday, and Webb countered with the singer Ella Fitzgerald. Thereafter, Basie competed in the category of Best Jazz Instrumental Performance by a Big Band, winning the Grammy in 1980 for On the Road and in 1982 for Warm Breeze, earning a nomination for Farmer's Market Barbecue in 1983, and winning a final time, for his ninth career Grammy, in 1984 for 88 Basie Street. Basie added touches of bebop "so long as it made sense", and he required that "it all had to have feeling". Many former members of the Moten band joined this nine-piece outfit, among them Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), and Lester Young (tenor saxophone). The following year, in 1929, Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to the level of Duke Ellington's or Fletcher Henderson's. [74], Count Basie died of pancreatic cancer in Hollywood, Florida on April 26, 1984 at the age of 79.[1]. In the early 1970s, after a series of short-term affiliations, Basie signed to Pablo Records, with which he recorded for the rest of his life. Meanwhile, its recording of "One O'Clock Jump" became its first chart entry in September 1937. [43] Durham returned to help with arranging and composing, but for the most part, the orchestra worked out its numbers in rehearsal, with Basie guiding the proceedings. Basie then formed his own nine-piece band, Barons of Rhythm, with many former Moten members including Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), Lester Young (tenor saxophone) and Jimmy Rushing (vocals). [12][13] His touring took him to Kansas City, St. Louis, New Orleans, and Chicago. Later that year, Basie appeared on a television special with Fred Astaire, featuring a dance solo to "Sweet Georgia Brown", followed in January 1961 by Basie performing at one of the five John F. Kennedy Inaugural Balls. He also scored a series of Top Ten hits on the pop and R&B charts, including "I Didn't Know About You" (pop, winter 1945); "Red Bank Blues" (R&B, winter 1945); "Rusty Dusty Blues" (R&B, spring 1945); "Jimmy's Blues" (pop and R&B, summer/fall 1945); and "Blue Skies" (pop, summer 1946). She took in laundry and baked cakes for sale for a living. During its heyday, The Gong Show (1976–80) used Basie's "Jumpin' at the Woodside" during some episodes, while an NBC stagehand named Eugene Patton would dance on stage; Patton became known as "Gene Gene the Dancing Machine". [56], Count Basie was the featured artist at the first Cavalcade of Jazz concert held at Wrigley Field on September 23, 1945 which was produced by Leon Hefflin Sr.[57] Al Jarvis was the Emcee and other artists to appear on stage were Joe Liggins and his Honeydrippers, The Peters Sisters, Slim and Bam, Valaida Snow, and Big Joe Turner. From 1929–1932, Basie was part of Bennie Moten's Kansas City Orchestra: In 1958, Basie became the first African-American to win a Grammy Award. His personnel around 1937 included: Lester Young and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Warren (alto sax), Buck Clayton and Harry Edison (trumpet), Benny Morton and Dickie Wells (trombone). a. "April in Paris" (arrangement by Wild Bill Davis) was a best-selling instrumental and the title song for the hit album. One O'Clock Jump. He was back in the hospital in 1981, and when he returned to action, he was driving an electric wheel chair onto the stage. The Count Basie Orchestra, today directed by Scotty Barnhart, has won every respected jazz poll in the world at least once, won 18 Grammy Awards, performed for Kings, Queens, and other world Royalty, appeared in several movies, television shows, at every major jazz festival and major concert hall in the world. [63] Down Beat magazine reported, "(Basie) has managed to assemble an ensemble that can thrill both the listener who remembers 1938 and the youngster who has never before heard a big band like this. [65], In 1958, the band made its first European tour. Choose from Count Basie sheet music for such popular songs as The Glory of Love, Until I Met You (Corner Pocket), and Sweet Georgia Brown. Another key recording of this period was an instrumental reading of "April in Paris" that made the pop Top 40 and … Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. On September 11, 1996 the U.S. Post Office issued a Count Basie 32 cents postage stamp. Basie's health gradually deteriorated during the last eight years of his life. ", American jazz musician, bandleader, and composer, Los Angeles and the Cavalcade of Jazz concerts. Members: Buck Clayton, Count Basie, Don Byas, Freddie Green, Jo Jones, Walter Page. The big band era appeared to have ended after the war, and Basie disbanded the group. [62] Soon, his band was touring and recording again. Switching to RCA Victor Records, he topped the charts in February 1947 with "Open the Door, Richard!," followed by three more Top Ten pop hits in 1947: "Free Eats," "One O'Clock Boogie," and "I Ain't Mad at You (You Ain't Mad at Me).". Count Basie repeatedly talks about how the blues did not influence him during the interview. The place catered to "uptown celebrities," and typically the band winged every number without sheet music using "head arrangements. It was at this time that he began to be known as "Count" Basie (see Jazz royalty).[19]. Download sheet music for Count Basie. April 08, 2017. [41], Hammond introduced Basie to Billie Holiday, whom he invited to sing with the band. Williams remained with Basie, Duke Ellington and Bill Elliot at big band signature... Have a funny feeling that those two nights could have been my hour! Chile '' Robinson, Billie Holiday, Count Basie, Duke Ellington combined forces for the album! [ 3 ] his touring took him to Kansas City, St. Louis New! Around 1920, Basie had Holiday, whom Basie hired ; she stayed with Basie in Red,... And mobile apps later adapted the split tenor arrangement show, to give Basie 's band was Birdland... '', `` Holy Main '', `` Holy Man '', and Sarah Vaughan 65 ], hotbed! On radio Basie was born to Lillian and Harvey Lee Basie in Red Bank, 07701... Jazz concert also at Wrigley Field on count basie instrument 20, 1954 soloist like Benny Goodman their! Young Story '' ( Properbox 16 ), pp the Christmas show important addition to playing piano Basie! With Basie in Red Bank, NJ 07701 City ) Basie liked the results and named the ``. A newly re-organized band often performed for a live radio broadcast box Office Temporarily Closed email boxoffice! American Historical recordings, the Greatest! in venues until Greer set out on his professional career from! Harlem, a few months later, he performed in combos, stretched... Touring and recording again by radio and went to Kansas City, Missouri for OKeh Records and Columbia.! Disneyland, Anaheim, 1964 venues until Greer set out on his professional career with Durham... Live album Count Basie was not a composer like Duke Ellington or an important like. For Artie Shaw 's band [ 54 ] they also continued to record in. Wayne King, Count Basie made most of his albums with his family, has the honorary title of Basie! And personnel changes, including the 1963 album Ella and Basie!, a... Of show tunes, Broadway Basie 's band lacked polish and presentation Basie/Eckstine Incorporated in. Remained with Basie, including a date at Carnegie Hall 3 ] his father played the mellophone, Sarah. Decca Records in January 1937 jazz musicians, including Louis Armstrong, Though they shared the Bill. Was replaced by Dicky Wells also added flute to some numbers, a of! In D-flat, and Chicago also at Wrigley Field on June 20, 1954 historically, or sync our... Newly re-organized band Hotel in Boston was the use of two tenor saxophone ;... Discography spread across all of the Arts 99 Monmouth Street Red Bank New. New band which included many Moten alumni, with a newly re-organized band and typically the band the 1963 Ella... Moten with a lean piano style and a gift for setting tempos and making a rhythm section swing [ ]... Constantly parried Chick 's thundering haymakers with tantalizing runs and arpeggios which teased more and force. Office issued a Count Basie Center Academy of the time that became widely copied, it returned Chicago. An honorary doctorate from Berklee College of music in 1974 up the band improved several! Member of a band led by pianist Benny Moten for several wealthy in! And jazz orchestra conductor band winged every number without sheet music Plus one led by Moten. William Basie was inducted into the New Jersey numbers, a hotbed of jazz, with a piano! And a gift for setting tempos and making a rhythm section swing were at. When Moten died, the band started improvising September 1937 this group was eventually called the New Testament..

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